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Submitted on
June 18, 2012
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854 KB
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:iconmissaquaitaine:
missaquaitaine Featured By Owner Jul 20, 2012  Hobbyist Traditional Artist
no problemo! :D
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At midnight on Saturday, I was struck with inspiration. I grabbed this rig and this audio (how these two fitted together in my head, I'm unsure) and heres the result :)
I have always wanted to so a lipsync with this particular character.
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:iconmissaquaitaine:
missaquaitaine Featured By Owner Jul 19, 2012  Hobbyist Traditional Artist
@00:13wow, nice animation. ;)
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:iconsam-in-motion:
Sam-in-Motion Featured By Owner Jul 19, 2012
Thank you very much :happybounce:
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:iconmissaquaitaine:
missaquaitaine Featured By Owner Jul 20, 2012  Hobbyist Traditional Artist
no problemo! :D
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:iconkatzenfrau2035:
Katzenfrau2035 Featured By Owner Jun 24, 2012  Professional General Artist
@00:13Beautiful work! I love it
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:iconsam-in-motion:
Sam-in-Motion Featured By Owner Jun 25, 2012
@00:13Thank you very much :la:
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:iconliimlsan:
LiimLsan Featured By Owner Jun 22, 2012  Student Filmographer
@00:13Seems a little overacted for the fragile voice, but it's unbelievably plastic. Nice work! %%
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:iconsam-in-motion:
Sam-in-Motion Featured By Owner Jun 23, 2012
Thanks for the comment. I find subtle animation very hard to do, but I'm sure I'l get it one day :D all in the learning pipeline.
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:iconliimlsan:
LiimLsan Featured By Owner Jun 30, 2012  Student Filmographer
Right now, given that I have little more sophisticated as a webcam for making tests (I physically can't tape a pegbar to the scanner I'm using), I'm at that stage where I move things as little as possible. My normal style is a little like Emery Hawkins, with the crinkly limbs, constant posing, and sheer modernism of design - and I want to be as talented as I can in all the basics before I continue. Hence why my tests are things like abstract shapes rotating in three dimensions, and several shots that would be described as 'bloated' if I had the paper to make the inbetweens for. I am desperately reaching for subtlety and minimum motion.

Subtlety? God, it's tough. I am terrible at drawing realistic eyes with any sort of consistency or recognizable expression - and in a field like this, where 1/16 of an inch can make the eyes go from pensive to worried -

It's in the pipeline. I have to learn how to mix a soundtrack - all my experience is with live performance.
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:iconsam-in-motion:
Sam-in-Motion Featured By Owner Jul 5, 2012
Live performance is great, and much needed experience to have as an animator. Animators are, after all, performers ;) Ultimately it all comes down to practice I think. Tho, talent would be a big help too lol. If we keep at it, eventually we will nail subtlety.
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